The Tonight Show | link ›
The Tonight Show | link ›
Los Angeles Times | link ›
On a recent balmy day in Santa Monica, Albert Brooks chuckled about the lengths to which he’s gone to reboot his acting career, moving away from the belligerent neurotic of “Broadcast News” fame into playing a believable psychopath in “Drive” and more serious fare in “A Most Violent Year.”
So in your 20s, you trained as a dramatic actor and tried to pursue those roles but got detoured.
I was funny, naturally, and when I left college around 19-20, it was very difficult to get any acting parts at that age, but I was able to get on national television shows just making up comedy in my bathroom. I had an agent who said, “Just do that and you’ll get all the acting roles you want.” … It really didn’t happen that way. I just got further and further into comedy.
Then you started writing your own stuff and for a long time your real focus was making your own films.
When I was making my own movies regularly … that’s sort of all you could do. Because once you started writing and once you raised the money you couldn’t tell the people, “I’m going to stop for two years and go act in this movie.” I still have another idea for a movie I might make, but I have to say, I’ve been enjoying playing different kinds of characters than I’ve played in the past.
And they’re different kinds of roles than you write for yourself.
Absolutely. I wouldn’t write a character in “Drive” for myself. Nor even “A Most Violent Year.” I just finished a movie that’ll be out this year with Will Smith.
variety.com | link ›
Alec Baldwin also stars with Peter Landesman (“Parkland”) on board to write and direct.
Giannina Facio, Ridley Scott and Michael Schaefer will produce for Scott Free while David Wolthoff and Larry Shuman will produce for the Shuman Company. Scott and Facio have become passionate about the issue and were very aggressive in landing a star for the pic, having done so with Smith’s attachment.
The GQ article was written by Jeanne Marie Laskas and follows Dr. Bennet Omalu, (Smith) the forensic neuropathologist who single-handedly made the first discovery of chronic traumatic encephalopathy (CTE) in a professional football player and brought awareness to the public. The story is described as a whistle-blower tale in the vein of “The Insider,” humanizing the price paid by professional athletes in impact sports — and the political, cultural and corporate interests that fuel the business.
The untitled feature is one of a handful of Hollywood projects revolving around the concussion problem in the NFL. Parkes/MacDonald Productions are developing a project based on the book “League Of Denial: The NFL, Concussions And The Battle For Truth,” and Isaiah Washington is set to star in the indie drama “Game Time Decision,” both of which focus on the concussion issue.
Brooks, who is repped by WME and manager Herb Nanas, can be seen next in J.C. Chandor’s “A Most Violent Year.”
washingtonexaminer.com | link ›
With just over 500,000 followers, the comedian and actor Albert Brooks is a popular presence on Twitter. Most of his tweets are mild, 140-character jokes about events in the news. (Examples: “Neiman Marcus to be Sold for 6 billion. That is, of course, retail,” and “Diana Nyad’s going to be so pissed when she finds out there was a flight,” and “Happy New Year to my Jewish friends, or as I like to call them, my friends.”)
But Brooks, judging by Twitter at least, has taken the crisis in Syria seriously. Between jokes about Miley Cyrus and Johnny Manziel, on Aug. 29, as leaks detailed U.S. options for attacking Syria, Brooks tweeted, “I don’t know the right decision on Syria, but basically telling them Saturday between 3 and 4 seems stupid.” Two days later, when President Obama announced he would seek congressional authorization for an attack on Syria, Brooks tweeted, “I like POTUS asking Congress, but I think they should be called back now, not when they casually return from vacation.”
Those were perhaps a little too serious for a Twitter account not devoted to foreign policy. So on Friday night (early Saturday in the East), Brooks sent out a Syria joke. “Russia and the U.S. could unite for one week,” he tweeted, “go into Syria, remove the chemicals, and let them continue fighting.”
It was kind of grimly funny. Except it didn’t turn out to be a joke. Forty-eight hours later, leaders in the U.S., Russia, and Syria were embracing the Brooks Plan, although no one called it that. At first it seemed the idea originated in a gaffe by Secretary of State John Kerry. Then Obama told interviewers that he and Russian leader Vladimir Putin discussed it at their recent meeting. Whatever the case, several key players in the Syrian crisis, plus a number of lawmakers on Capitol Hill, welcomed a plan that was immediately characterized as a way to avoid U.S. intervention in Syria. For Obama especially, the idea seemed to be a lifeline out of the terrible trap he had constructed for himself.
Brooks got no credit, although his 114-character tweet predicted precisely the essence of the new proposal. As the story began to dominate the news Monday, Brooks, who had heretofore not been recognized as a major player in the Syria crisis, tweeted simply, “I believe I tweeted this idea last Friday.”
Too late. The proposal is already known as the Russian Plan, not the Brooks Plan. But now, after the initial flush of excitement over a possible way out of the Syrian dilemma, the plan’s many flaws — it could be fundamentally unworkable — will likely come to dominate the news. It might not be long before Brooks is joking about his own joke that somehow became the latest development in the long Syrian tragedy.
splitsider.com | link ›
The Paley Center for Media, which has locations in both New York and LA, dedicates itself to the preservation of television and radio history. Inside their vast archives of more than 120,000 television shows, commercials, and radio programs, there are thousands of important and funny programs waiting to be rediscovered by comedy nerds like you and me. Each week, this column will highlight a new gem waiting for you at the Paley Library to quietly laugh at. (Seriously, it’s a library, so keep it down.)
Albert Brooks, stand-up, author, actor, and comedy legend, was recently interviewed in the January issue of Vanity Fair which was guest edited by Judd Apatow. In it, Judd, a comedy vanguard himself, describes Brooks as “the prototype. He’s the original smart, sensitive Jewish neurotic guy, with huge flaws and a heart of gold.” But what’s most fascinating to me is that this statement was true about the man from the very beginning of his comedy career, which began while he was in his early twenties. In the late 1960s and early 1970s when he began playing on the national stage, his comedic character already seemed fully formed, and he never lost sight of it or compromised his unique voice as he moved from stand-up to television to film.
Vanity Fair | link ›
Albert Brooks in Vanity Fair’s January 2013 issue.
“Twitter is the Devil’s playground,” says Albert Brooks (384,000 followers and counting). “I don’t know if I’m addicted. It’s a horrible waste of time for the writer of it, the reader of it. We will lose the war to China because of Twitter.”
Brooks tells Vanity Fair Comedy Issue guest editor Judd Apatow (who directed him in his new movie, This Is 40) that the subjects of dying and death are constantly on his mind. “I mean, this getting-old stuff is something,” Brooks says. “I think I envy my dog, because my dog is 16 and she’s limping and she’s still living, but she doesn’t look at me like she knows. She’s not thinking what I’m thinking. It’s a cruel trick, that we all know the ending.”
The Tonight Show with Jay Leno | link ›
The Huffington Post | link ›
The first rule of doing the late night talk show circuit is “Be Interesting”. Now, Albert Brooks is generally a pretty interesting guy, so you wouldn’t think this would be a struggle. But when you’ve been holed up in a room writing and have nothing else going on, you find yourself pressed for humorous true-life anecdotes.
Fortunately, for Albert Brooks, he has a fantastic imagination. But he also has a guilty conscience. Watch part one of Albert Brooks’ tall tales above and part two below.
THIS is a crazy story.
The View | link ›